On the 18th October, we headed out on a trip to Sheffield to visit two exhibitions. The first was an exhibition called 'Restless Times', which I will cover in the next post, but the second was on the graphic designer Abram Games.
Abram Games is well known for his poster work, which included many posters for recruitment in World War II. A lot of these recruitment posters were on display at the exhibition, as well as many other pieces of advertising for The Times Newspaper and ads for holiday destinations like Jersey and Blackpool.
While at the exhibition, I took plenty of photographs of Games' work. I particularly liked this piece that was on display:
I found this piece particularly interesting because of the shell's shape which forms the 'J' of 'Jersey'. The colours were minimal, as was the design, but it got the message across clearly. Games' personal motto was "Maximum meaning, minimum means" and this was clearly on display in all of his work.
One of the things that fascinated me in particular about this piece was the 'work in progress' sketches that were on display near it:
These are very helpful in understanding Games' thought process as he was designing the Jersey poster. It always amazes me to see the 'behind the scenes' of an artist's work, so I can learn from it when working on my own artwork. One of the big things I noticed (and liked) about these concept sketches was how random and messy they are, which makes the ideas seem much more spontaneous and chaotic. I am fascinated by the image this conjures of Games at his desk, struck by an idea and scribbling furiously in response. It feels very special to be allowed into an artist's mind and placed on the journey from inspiration to product with them.
It was hard to choose a piece that truly illustrated my admiration for Abram Games' work, but I feel these photographs showcase the pieces that spoke to me the most at his exhibition.