Showing posts with label photography. Show all posts
Showing posts with label photography. Show all posts

Saturday, 25 June 2011

Chesterfield College - Arts Festival Essay

On Tuesday 21st June, we visited the Arts Festival at Chesterfield College. This show was displaying the work of the second years in Art and Design, Fashion, Graphic Design and Interactive Media. Much like the previous show, this featured accompanying sketchbooks and development work, but there were no artists accompanying their work.

Within the Art and Design course especially, there were a variety of specialisms shown. Some pieces were made with textiles, some painted. Some were more photographic or otherwise digitally created. In addition to this, some pieces were very transparent and sought to illustrate or advertise, where others had more emotional significance. In the Graphic Design and Interactive Media area, there were also a variety of specialisms – some work was heavily digital, some using more lens based media, and others taking a more traditional approach. All of these things further demonstrate how broad a creative course can be.

This show was split into rooms like the Manchester show, with an upstairs and downstairs and adjoining rooms for different courses. Work was displayed in the dome area, and on the walls surrounding it on both floors. My main problem with the Art and Design display on the bottom floor was the lack of flow it had. The layout seemed more like a maze, with a small corner shape allocated to each piece of work. It was sometimes very easy to miss work out because of this. This was not the case with the outer walls and the work in the upstairs rooms, which was laid out much more easily. However, in the Graphics/Interactive room, a lot of work was grouped together on the wall to save space, with sketchbooks in the middle, and a lot of the name labels were placed together, which made it hard to see who owned which work and book. For this reason, I have mostly featured work from the Art and Design area, as it was frustrating to have a limited choice for the Graphics area.

Interestingly, a lot of pieces outside of my usual comfort zone of photography and illustration caught my eye this time. I found some of the photographs to be not very well thought out and candid. While some of the pieces I am looking at have illustrative qualities, I was not so impressed by a lot of the illustrations I saw at the Arts Festival.

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I am reviewing three pieces by Emma Scott, who is studying a Foundation Diploma in Art and Design. She created four pieces about body image, which I found really captivating when they caught my eye. All of these pieces, when hung on the wall like they were, were equally striking, and each one conveys the same message, but with a uniquely different delivery.
All three of these pieces are executed in very cold blues, whites and greys, which all give off a feeling of sadness and loneliness, which is often associated with body image issues. 

(own photograph)

This is the first piece in the series, and is easily the subtlest. No type is used in this piece. In terms of materials, this piece looks like it was made with inks and collage on some kind of board. The scratchy effect around the figure and in the collage that was made by the wood grain gives a strong message of desperation, like the artist is scratching desperately, trying to get out of this feeling of worthlessness that comes with low self-esteem. The way the scratches seem to frame the figure is reminiscent of a halo, which could symbolise how society glorifies the slim, beautiful people. The face that the model’s face is cut off could symbolise this further – that the artist has been forced to believe that nothing else matters beyond being beautiful and slim.
I could easily see how this piece could’ve stemmed from a life drawing class, with the focus on the body, as well as the skull that’s been drawn over the figure.

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(own photograph)
 This is the second piece I have chosen from Emma’s work. This piece is much more type based, and follows the colour scheme of the previous piece very well. This piece looks almost entirely painted, based on the hurried brush stroke feel of the background. Over the top is the deeply emotional monologue of someone struck by terribly low self-esteem. What I like most of all about this is that the monologue isn’t solely focused on the feelings of one person, but it also focuses on the general opinions people have on body image – “The world would be a lot easier if people accepted people who look different”.
Behind the text, the portraits of people seem distorted in the strokes of paint and obscured by the text. This could be on purpose, to illustrate the idea of looking into the mirror and seeing a distorted image of yourself because of how you feel inside. 

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(own photograph)

This is the last piece I have chosen to review. When I was walking through the Arts Festival, this piece was the one that caught my attention before the others. At first I wasn’t too sold on the inverted effect on the photograph, but I grew to like it more, as I noticed how much easier it was to read the type, and how it fits the cool colour scheme really well.
The eyes of the model easily emphasize how cold and desperate these emotions are, and their pure white colour makes them hard to avoid, forcing the audience to face up to the reality of this problem. Her hair also helps draw the eye into the face, as it’s a basic white colour almost all over. As for the writing on her face, I think this is especially interesting, and could easily be influential to anyone who has felt this way before, or is still dealing with these issues.
I also like the ‘focus’ shots around the photo, which highlight phrases from the face. The bottom one – “What Makes You Different Makes You Beautiful” – is my favourite. The shot is put together very well, and the eye is drawn to the text first. The choice to crop this down to just the nose and mouth gives the impression that the model could be anyone, which makes the message even more accessible to the audience.

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Overall, I found the Arts Festival to be very interesting and inspirational. Some work wasn’t as exciting as it could be, but other pieces were immediately eye catching and stayed with me long after I left the festival. I really look forward to creating work at this standard or higher myself in my second year, and I know that the Arts Festival has given me the motivation and insight to competently compete with students like these when it comes to applications for jobs and universities. 

Monday, 13 December 2010

Lights and Bricks - Photography in the Run-up to Christmas

-- Originally found on [daily dose of imagery]


With Christmas just a week away, everyone seems to be rushing around in a mad dash to buy presents, food and decorations in time for the big celebration next week. With so much tension and stress around, it can be hard to stop and just look at all the wonderful things happening at this time of year.

Sam Javanrouh at [daily dose of imagery] has taken the time to capture one of these wonderful moments with todays photograph 'lights and bricks'. The photograph captures a moment where shoppers are still rushing around, oblivious to the lovely display of lights scattered above them like stars.

This photograph, taken at the Christmas Market in the Distillery District in Canada where the artist lives, shows the brilliant transformation an ordinary street makes into a world of busy shoppers and beautiful lights. The layout of the shot draws the eye down the street to the collection of bright lights and decorations in the distance, and the green and red tones on either side of the street add to the wonderful Christmassy air the whole photo takes on.

Just looking at this photo brings a feast to the senses. Bright lights and beautiful colours feed the eyes and the scene brings the sound of chattering crowds and footsteps along with it. This photograph plants you right at the heart of the Christmas rush, without even setting foot outside your home.

Monday, 22 November 2010

BA (Hons) Graphic Design/Photography at University of Chester

The third course I found was a BA (Hons) course in Graphic Design with Photography at University of Chester. This is a joint degree course, which, according to the course information, is:
"A combined honours degree enables you to combine two subjects from different areas, or two subjects that are complementary, and is ideal for those students who wish to keep their options open. At the University of Chester, two subjects can be studied equally or in a major/minor combination."
This choice of major/minor or equal study of both subjects allows the modules to be split according to what students want to study, which is perfect for me. I like both Graphic Design and Photography, and would like to look into furthering my skills in both subjects. A joint degree would be perfect for this, and would allow me to study more or less of either subject as it suits me.

While the university lists a small list of facilities for photography, there certainly aren't as many avaiable facilities as the previous two places I had found. However, photography studios and darkrooms are still available on this course, and those are particularly interesting to me.

If I were to study this course, I might consider studying major Photography and minor Graphic Design as a way to phase myself into a career in Photography. However, I might find a career in Design is more interesting, and this course allows me to take that option also.

To get onto this course, I would be expected to get between 200 and 240 UCAS points, which is roughly a MMM grade on my current Extended Diploma.

BA (Hons) Photography at Leeds College of Art

The second course I found was a BA (Hons) course in Photography at Leeds College of Art. This course lasts for three years and is a full Degree course.
This course is very similar to the Photography (with Video) course at Leicester College, but it is a full Degree and doesn't include the Video units.

Like the course at Leicester, this course allows students to experience various areas of photography:
"The course addresses contemporary practice in four main areas:
    * Journalism/documentary
    * Fashion/lifestyle
    * Advertising/commercial
    * Gallery/Fine Art
Thought-provoking modules will provide you with opportunities to explore both commercial and personally creative work.
The course structure enables you to work within your chosen genre, resulting in a portfolio of work that is relevant for specific areas of employment/progression upon completion of the course."
 I like the way this course allows you to study within your area of choice so that your work is relevant when looking for a job, but I don't know if I am that certain about the area I would like to work in, and would certainly not want to start working in one area to later wish I'd chosen another. These are, of course, questions I would have to ask before choosing to apply.

In terms of facilities, the university offers a lot of resources:
"You will have access to 35mm, medium and large-format cameras, medium-format digital back and digital SLRs. You will also use our fully equipped lighting studios, two large darkrooms and 35mm, medium- and large-format capabilities (black and white), colour film processing and Hasselblad negative scanner (from 35mm to large format). We have two computer suites with Apple Mac G5s, all with up-to-date industry-standard software. A digital video-editing suite and a range of DV cameras are also available. We provide access to all the necessary specialist library publications and contemporary journals."
The resources include plenty of equipment I would be interested in working with: lighting studios, darkrooms and a wide variety of cameras (including 35mm cameras which I would absolutely love to work with!).

Details on UCAS points needed and other qualifications for this particular course are not listed, but I would easily be able to find this information out if I decided to apply.

Photography (with Video) at Leicester College

Taking a look at my options for courses after college, I found 4 courses that interest me.

The first of these four courses was Photography (with Video), a Foundation Degree course at Leicester College. The course lasts for two years and is a vocational course that can be turned into a full degree.
I find the course really interesting because I have a keen interest in both photography and video, but the fact it is a Foundation Degree is not quite as satisfying, as I was hoping to find a full Degree course that would cover both Photography and Video.

In an ideal world, I would like to be a freelance photographer after I have finished education, and this course clearly lists freelance photography as a career I could get into from this course.

The course features historical and contemporary photography techniques and study and offers a chance to experience editorial, fashion, studio and creative photography before choosing to specialise in one particular genre. I am not 100% sure which genre of photography I would enjoy the most, which is another positive point about this course - the chance to experience a variety of choices before making a final decision to specialise. This is also another reason I chose Photography with Video, as I am interested in both and am not sure which I would like more, though I have more experience with photography.


There are plenty of facilities available for use at the college, including:
"Full range of photographic equipment ranging from medium format/large format cameras through to the latest digital SLR's
Industry standard photographic studios
Black and White film and print darkrooms
Traditional hand print colour darkrooms
Digital Imaging centre
Apple Mac G5 studio
Learning Resource Centre"
All of this sounds very interesting to me, especially the darkrooms as I have never used a darkroom before and the process interests me greatly.

The course requires only 80 UCAS points and seems like a very interesting pathway to a career in photography or video. If I had to decide right now, this would probably be my first choice

Monday, 15 November 2010

Andy O'Connell: The Estate We're In

Journalist Gordon MacDonald posted an interesting analysis of a photography project in the magazine Photoworks this past October. The photography project is titled 'The Estate We're In' and was created by Andy O'Connell.

The project features photographs from around London, taking a look at the corners of the city that are sometimes overlooked by passers-by. The project could be described as documentary photography or as artistic photography, but as Gordan MacDonald remarks:
"they have elements of both defined modes of photographic practice - but they are neither, they are simply (and complexly) photographs".

The article begins with a tale from MacDonald's teenage years when he worked as a journalistic photographer, armed with a camera and a flash, seeking photographs of prisoners being driven to court in their police vans. He uses this tale to discuss the various styles and uses of photography:
"One reason could be that photography has its own history, which is often its main point of reference. It has many modes, which include porn, pack shots and documentary; these all go towards our understanding of this history and all contribute to our relationship with every photograph we view"
MacDonald makes a strong point. Photography has had such a wide range of uses over the years of its existence, and each one of these uses impacts us when we view a photograph.

O'Connell's photography has a simplistic elegance that comes across in every shot. The curling shapes of the tire-tracks in the grass in Joy Ride, Tulse Hill Estate are eyecatching and interesting to view.


There is, as Gordon MacDonald points out, "a level of slow careful observation that raises them above 'straight' documentary photography" in the photographs of this project. The photographs are more than just devices through which to tell a story, they are also stories in their own right, works that catch the eye and linger for a while until that story has been told.



Intriguing as the above picture is, my eye is also drawn in by the composition of the shot. Whether intentional or not, the strong line where the door meets the wall draws the eye across to the letterbox.
The photographs, which mainly seem to focus on criminal acts, give another, more creative approach to crime. When discussing this, Gordon MacDonald says:
"These creative accidents are clearly not the main intention of the crimes' perpetrators, but are one of the more positive outcomes and O'Connell seems to relish these moments of black humour in this dark place."
And indeed, adding this other dimension, a lighter view, to crime and squalor in a big city is something we should all take note of. Taking the lighter view, a more creative look, to the lives of these people is surely what creating good art is all about - looking at things differently.